dsh-ppt-studio

Say "make me a 10-page annual review deck" in a DeepSeek Harness conversation, and dsh-ppt-studio takes over everything after: it picks a style and layout for the topic, lays out every page with charts, typography, and copy, runs per-page checks for overlap, out-of-bounds, text overflow, and theme conformance, then hands you a .pptx that opens directly in PowerPoint for further editing, along with the intermediate YAML project and a delivery note listing asset sources and what was not visually reviewed. You never drag a text box—your only job is to state requirements, review the inline preview, and give feedback.

Beyond building from scratch, it excels at surgical edits: replacing a single page in an existing deck leaves every other page byte-identical, verified by SHA256 checksums on export; compressing a 50-page draft into a 10-page summary; appending two new sections to a half-finished deck; or filling your own template while preserving its structure exactly—these are the high-frequency day-to-day tasks. The plugin recognizes task type semantically, so mentioning "I made a PPT yesterday" in passing will not accidentally trigger the workflow. It ships four in-house style families (business-blue, academic-white, tech-dark, pitch-bold) and lets you deposit your own .pptx into a personal template library that lives outside the plugin package, survives upgrades, and always outranks the built-in defaults.

The quality-check system is the core design philosophy here: whether an overlap is legal is decided by design intent, not element type—declared overlaps pass, content-on-content collisions never do; out-of-bounds is split into two severities with different remediation paths; text measurement runs conservative by default, with an optional browser-measured cross-check for final sign-off. This means the deliverable is a structurally verifiable, quantifiably faithful engineering artifact, not "a picture that looks roughly right." It is built for DeepSeek Harness users who create, modify, or compress presentations frequently and would rather spend their time on narrative and content than pixel-pushing layouts.