Short Drama Director & Screenwriter Master

Problem

Short-drama production often stalls at the gap between a viable idea and a shootable script: topic choices feel intuitive, story cores and payoff density are inconsistent, directorial style is disconnected from execution, and review notes lack verifiable evidence. This skill routes the creation process into separate workflows, reducing back-and-forth between idea development, drafting, and direction.

How It Works

• Mode routing: the request is mapped to topic-selection, story-optimization, story-to-script, director-thinking, director-styles, script-evaluation, or ip-submission.
• Screenwriting side: it supports project setup, story-core diagnosis, conflict and payoff engineering, character and structure upgrades, and conversion of stories into first episodes, serialized structures, and IP submission packages.
• Directing side: it turns text into shot design, blocking, pacing, performance, sound, and storyboard language that is drawable, performable, and cuttable.
• Style constraints: it chooses from nine styles such as beat-driven payoff, suspense pressure, and urban realism. A project may use multiple styles, but each episode needs one primary style and a designed transition.
• Review discipline: it first confirms audience type and sampling scope, then scores with evidence coordinates. Output can include PASS/FAIL, deductions, caps, and an SRO revision task list; structural failures are marked Reject.

Fit And Limits

It fits short-drama project setup, script optimization, storyboard design, style selection, and script review. It assumes the user can provide target market, episode length, total episode count, budget tier, and sampling scope. If no style is specified, it may need confirmation. For long-form video, feature-film directing, or projects without short-drama pacing requirements, its payoff-density rules should not be applied directly.